Traditional Japanese building design is a model for minimizing negative environmental impact through reuse.
Traditional Japanese buildings were constructed almost entirely from wood. Because construction methods did not rely on nails or adhesives, they could be easily repaired, reused, or dismantled for relocation. Because the dimensions of rooms and building materials were modularized, minimal processing or reassembly was required to reuse individual building components elsewhere.. In fact, the obvious reuse of old building material is an honored feature of the Japanese building aesthetic.
During the pre-industrial Edo period in Japan (1603-1868), the protection and regeneration of forest resources was given a very high priority, which meant that wood was used carefully and great effort taken to prevent its waste. Large wooden beams and columns were in high demand, and there were lumberyards in large cities that specialized in this kind of used building lumber. Floor boards could be easily refurbished and reused, and doors and windows called shoji and fusuma were standardized in size and could be removed from one building and instantly used in another. The same was true of tatami floor mats, made of woven grass and straw. Roofing tiles could be easily resold and reused, and metal hardware and fittings such as copper downspouts and iron hinges were particularly valuable, because metal production required metal ore which was in limited supply, and also tremendous quantities of wood fuel, which needed to be preserved. There was almost nothing used in a traditional Japanese building at that time that did not have at least one good subsequent use, and even otherwise unusable clay wall plaster could be returned to the soil as if it has simply been borrowed from nature for a few years. All of the biologically-based materials, including wood, bamboo, paper, and rope, could be used as fuel or ultimately be returned to nature or the agricultural cycle, to decompose as mulch.


In recent years, a movement known as “Buildings as Material Banks (BAMB) has emerged which promotes exactly the kind of “building for reuse” that was practiced traditionally in Japan. The concept is to preserve and protect the material used in construction so it can be used again when the building is dismantled. From Japanese experience it is clear that excellent and beautiful building design can be made which is intended to minimize material use and to maximize reuse. When this is allowed to become the society-wide norm, it can significantly minimize the negative environmental impact of the building industry itself.